These works read the territory at a regional scale Moreton Island and the Brisbane River to the north,  Straddie and Redland at the centre, and the wider coastal and hinterland systems that shape how the region functions ecologically, culturally, and spatially. Rather than focusing on individual sites, the pieces frame open space as a connected regional system.

Through layered cuts and the use of negative space, landform and waterways are distilled into a tactile language that slows how place is read. The works invite reflection on connectivity, scale, resilience, and long-term stewardship.